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1. My social experiment seems to indicate that Anuja Chauhan's appeal does cross international borders, but also that her work especially resonates with other Asian-identity sharing readers. I've been updating the post linking to all the reactions to her books, so now there's quite a collection of people pleased by her - The Anuja Chauhan Reading Club.

2. The books have mostly left the US, and are winding their respective ways across Europe and Australasia. So if you are a non-US, non-Indian resident who wants in, and can promise to read the book in a month, write a review, and mail it on internationally, you can sign up for a turn here.

3. My friend [profile] troiroyaumes has generously bought a box set of all three of Anuja Chauhan's books, and donated them for the annual Con or Bust benefit auction. So if you'd like to get the books to keep, with no strings attached, and also support a good cause (that I personally benefited from), please consider bidding for them over here. (I haven't offered anything since I still owe blog posts from over two years ago, but if the bidding goes over some extravagant amount, I could consider doing a post-it notes commentary of the books like I did for previous auctions, if anyone would like it.)
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I have been having one of the most stressful, unhappy weeks this year so far, and it doesn't seem to be headed anywhere good. HOWEVER, I needed to claw out time to make this quick update post, because of how much delight these pictures brought me.

See, when I designed my unwhitewashed (LESS RACIST!) cover for Chasing Shadows, I was kind of hoping other people would care about the issue too, that it might become a thing people talked about the way that other book covers that Racist Gremlins have attacked have become. But nope, people went on talking about how beautiful the racist cover was and how much they loved it, and I kept seething in my little corner.

Then [personal profile] kingrat commented asking if I had a hi-res version he could print off to use for his actual, physical copy of the book, and I was so stressed out with other things that I went a little nuts and spent three hours working on my dinosaur-age combination of Picasa and MS Paint to produce a full book jacket. Since I didn't have a copy of the actual book, or for that matter a printer, I just made wild guesses as to size and dimensions, but from that, [personal profile] kingrat managed to produce the glory that is...
LOFFLY LOFFLY PICTURES!!! )
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Today is the day a book called Chasing Shadows officially releases. The book and I go a ways back, since the author--Swati Avasthi--is a friend, and I've talked about the novel with her and read it in draft. Because I make for a biased reviewer of the work, suffice it to say that I think she has maintained the complexity of character and plot that she displayed in her first book Split, which a bunch of you appreciated when I passed around an ARC of it. You might like it if you enjoy books about female friendship and grief and loss and madness and the importance of stories and scaling rooftops and superheroes in graphic motion.

This post, however, is about the cover.

TL;DR version, the publishers issued a racist, whitewashed version so I made my own. Want, Take, Have. )

What she said

Wednesday, 18 September 2013 06:22 pm
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Tony Stark is a rich, white, privileged male who owns managing shares in a giant corporation. Tony Stark/Iron Man IS privatisation and corporate ideology. [...]So the suits and Tony don’t function simply as vigilantes; they function as a corporate endeavor that is eventually legitimated by the pretense of individuality. It’s capitalism at its best. And lest we forget that corporations and governments have a certain reciprocity, the government gets War Machine at the end of the second movie. [...]
The implication viewers receive here isn’t just that a Middle Eastern or Asian terrorist is inevitably a joke; an over-acting, drunk who wants to sit around doing hookers and blow, and quickly apprehended in the end, but also that true power only lies in the hands of white men. The narrative simultaneously relies for its basis on the presumption of genuine terrorist threats as to be feared, relying upon racist prejudice, while attempting to subvert that narrative with the racist assumption that only white men have any true power.[...]
The fact that Rhodey could just enter the country’s airspace like that is not only really unlikely, but also implies a lot about the presumed power of the American army to go where it pleases without huge political ramifications.[...] And no, it’s not okay to produce a narrative that narrows an entire country and culture down to an “oopsiedaisy” joke on the part of American military force.

-- [personal profile] stepquietly in Iron Man 3: a review
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As the reactions to my Anuja Chauhan passing the parcel experiment trickle in, I'll update this post. When people have made public posts, I've linked to them, when they have emailed me their reactions I have quoted them here (with permission, obviously). Spoilers will go under a further cut.

The Zoya Factor (2008)
Blurb )

[personal profile] laurashapiro says: There were some awfully funny bits, and some bits that made me quizzical. )

[personal profile] oyceter says: "there's just something really fun about Chauhan's narrative voice, from the toinnnnngggg commercial to the two sports announcers and the assorted excerpts from gossip magazines.

[personal profile] troisroyaumes says: the other part of the story I found interesting was the underlying theme of superstition and luck.

[personal profile] glass_icarus says: I don't often read chick lit, but Chauhan's narrative voice is incredibly entertaining.

[profile] via_ostience says: Zoya/Chauhan have great senses of humor, there were many parts where I cracked up laughing out loud. )

[personal profile] samvara says: I loved this, it's fresh and funny with believable and likable characters.

[personal profile] illariy says: The book is an entertaining romance; I really enjoyed both the lucky charm and the Nikhil/Zoya plot aspects.

[personal profile] rmc28 says: The writing is exuberant, funny, full of Indian English and Hindi slang, and I adored it.

Battle for Bittora (2009)
Blurb )

[personal profile] laurashapiro says: The author draws many memorable characters and indulges in the supposed sin of writing in dialect to excellent effect. )

[personal profile] troisroyaumes says: The whole novel works excellently as a satire of political campaigns, but like the best satires, it has a sincerity about the topic it parodies.

[personal profile] dorothean says: In short -- the funniest, most thoughtful, sweetest, and overall best chick-lit novel I have ever read.

[personal profile] afrikate says: I felt the book was very accessible to a Western audience )

[personal profile] oyceter says: Definitely recommended, and in case I made it sound serious and unfun, it is hilarious and includes a scene with Jinni putting a condom on a large wooden penis. For politics, of course.

[personal profile] glass_icarus says: As with The Zoya Factor, Chauhan conveys the feeling of being swept up in larger social currents incredibly well, but my favorite aspect of this book was the family dynamics.

Connie L. says: Overall, I thought the book was fantastic )

Those Pricey Thakur Girls (2013)
Blurb )

[personal profile] troisroyaumes says: "It's been a while since I've come across a book so engaging that I've sacrificed sleep on a weeknight"

[personal profile] afrikate says: Overall, I think this book would need some more background for non-Indian readers. )

[personal profile] laurashapiro says: Overall this felt like Chauhan's most mature book )

[personal profile] oyceter says: This is my favorite out of all of Anuja Chauhan's books and feels very much like what I've been waiting for.

[personal profile] glass_icarus says: Family dynamics are probably Chauhan's best narrative strength. Also, there simply is no humor quite like the wacky family hijinks kind.

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