Us and our Streets
Thursday, 19 November 2009 07:33 pmMy eyes popped when
unusualmusic linked to this -
Because it's my old school friend! Hi Ishu! You got a haircut! :D
But what's also amusing is the framing of this short film. Ishan Tankha, photographer with a big ass fancy pants camera, sitting in casually imperial isolation on one of the many historical monuments peppering Delhi (I can't identify it for sure, but I think its Hauz Khas?)
Meanwhile every other shot? The gaudy, public, and exotically poor street life of Delhi. At most we get some middle class women shopping, some Metro commuters, and Ishan riding his bike in front of the Rashtrapati Bhavan.
But even as he is saying climate change spans all classes, there are no other young, upper class people like him, no rich people, no half-naked out of fashion rather than poverty women, no fat cat industrialists or cavalcade-riding politicians, no indication that there are any of the Westernised English speaking people on the streets, even though Ishan has been chosen spokesperson.
I'm calling this the Slumdog Shooting technique - use English because you don't want to alienate your Western audience with subtitles, but keep the local colour full of attractive yet needy children, crowds that look struggling, and picturesque poverty.
Because it's my old school friend! Hi Ishu! You got a haircut! :D
But what's also amusing is the framing of this short film. Ishan Tankha, photographer with a big ass fancy pants camera, sitting in casually imperial isolation on one of the many historical monuments peppering Delhi (I can't identify it for sure, but I think its Hauz Khas?)
Meanwhile every other shot? The gaudy, public, and exotically poor street life of Delhi. At most we get some middle class women shopping, some Metro commuters, and Ishan riding his bike in front of the Rashtrapati Bhavan.
But even as he is saying climate change spans all classes, there are no other young, upper class people like him, no rich people, no half-naked out of fashion rather than poverty women, no fat cat industrialists or cavalcade-riding politicians, no indication that there are any of the Westernised English speaking people on the streets, even though Ishan has been chosen spokesperson.
I'm calling this the Slumdog Shooting technique - use English because you don't want to alienate your Western audience with subtitles, but keep the local colour full of attractive yet needy children, crowds that look struggling, and picturesque poverty.
(no subject)
Date: 20/11/09 07:13 am (UTC)[ZOMG Ishan Tankha, srs bziness photog. Awe.]
(no subject)
Date: 21/11/09 02:10 am (UTC)Also, ZOMG, you know Ishan IRL? Does this mean that we might know each other then? Ahh, six degrees!
(no subject)
Date: 20/11/09 11:26 pm (UTC)http://contexts.org/socimages/2009/11/2
(Attractive yet needy children and picturesque poverty: nail, meet head.)
(no subject)
Date: 21/11/09 02:11 am (UTC)